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United Kingdom released, PAL/Region 0 DVD: LANGUAGES: Spanish ( Dolby Digital 2.0 ), English ( Subtitles ), SPECIAL FEATURES: Behind the scenes, Interactive Menu, Making Of, Photo Gallery, Scene Access, Storyboards, Trailer(s), SYNOPSIS: Celebrated Argentine director Lucia Puenzo (XXY) returns with a gripping tale of forbidden lesbian romance and a crime heist gone awry. Boasting beautiful cinematography and electrifying performances from its two female leads, The Fish Child is a film festival favourite that will take you on a journey you won't ever forget.Lala, a teenager from the most exclusive suburban neighborhood in Argentina is in love with the Guayi, the 20-year-old Payaguayan maid working at her place. They dream of living together in Paraguay, at the shores of lake Ypoá. Robbing... Less

The OAV Supernatural: The Anime Series (2011) is an anime first: an American live-action show reworked as a Japanese animation series. (The original Supernatural debuted in 2005 on the WB, and continues on the CW.) Sam and Dean Winchester are Hunters-- licensed officers who tool around the United States in a classic black Chevy Impala, pursuing demons, ghosts, vampires, and other evil spirits. They're also looking for their father, a Hunter who's chasing the evil entity that killed their mother. Almost all the specters strike attractive young women, and the series soon devolves into a damsel-in-distress formula, with Sam and Dean arriving in the nick of time to dispatch the threat with silver bullets, salt, and fire. Some of the episodes are reworked from the original program; others are... Less

United Kingdom released, PAL/Region 2 DVD: LANGUAGES: English ( Dolby Digital 5.1 ), English ( Dolby Digital Stereo ), English ( Dolby DTS 5.1 ), English ( Subtitles ), WIDESCREEN (1.85:1), SPECIAL FEATURES: Anamorphic Widescreen, Commentary, Interactive Menu, Scene Access, Short Film, Trailer(s), SYNOPSIS: A friend delivers John Twiller greetings from a long gone high school girlfriend. This makes him open his school's yearbook - his Book of Love - and remember the old times, way back in 1956, when he was in his last year of high school and his family just moved to the town. He hung out with geeky Paul Kayne and tried to get the attention of Lily, who unfortunately was together with bully Angelo. ...Book of Love

Will & Grace debuted with a controversial splash because one of its two lead characters is gay--but smart writing and topnotch performances, not politics, have made the show a hit. Two neurotic and sharp-tongued urbanites--gay lawyer Will (Eric McCormack) and straight interior designer Grace (Debra Messing)--delight in their volatile but enduring friendship as they share a sumptuous New York apartment. Sweeping into the mix are Will's unapologetically queeny friend Jack (Sean Hayes) and Grace's wildly eccentric assistant Karen (Megan Mullally). Much like Seinfeld, the humour on Will & Grace springs from self-obsession, petty jealousy, and compulsive interfering in each other's lives-- basically, the building blocks of human nature. The show's writers apparently feel compelled to keep the... Less

Don't search for all the answers at once, says a giant appearing to FBI Agent Cooper (Kyle MacLachlan) in a vision. A path is formed by laying one stone at a time. In Twin Peaks, that's easier said than done. Over the course of two seasons, that path went nowhere and everywhere. Bureau guidelines, deductive technique, Tibetan method, and luck don't cut it here. It also takes a little magic, which is what makes David Lynch and Mark Frost's bracingly original serial drama one of TV's ultimate trips, and still the stuff that fever dreams are made of. With the DVD release of season 2, die-hard Peakers can rekindle their obsession with this macabre, maddening, sinister, and surreal series set in the rural Pacific Northwest community whose bucolic surroundings hide things dark and heinous. (If... Less

Dreamgirls The spirit of Motown runs through the long-awaited film adaption of the Broadway musical Dreamgirls, which centres around a young female singing trio who burst upon the music scene in the '60s, complete with bouffant hairdos, glitzy gowns, and a soul sound new to the white-bread American music charts. Sound familiar? You aren't the first one to draw comparisons to the meteoric rise of the Supremes, and despite any protests to the contrary, this is most definitely a thinly veiled reinterpretation of that success story. The Dreamettes-- statuesque Deena (Beyonce Knowles), daffy Lorell (Anika Noni Rose) and brassy Effie (Jennifer Hudson)--are a girl group making the talent-show rounds when they're discovered by car salesman and aspiring music manager Curtis Taylor Jr. (Jamie... Less

Sunshine – You can never accuse director Danny Boyle of lacking ambition. Sunshine sees one of Britain’s most successful directors switching genre once more, as he tackles this gripping science fiction flick about a quest to re-ignite the dying sun. And he nails it, too, adding another plus to a CV that’s already covered a kids' film (Millions), a big Hollywood blockbuster (The Beach), horror (28 Days Later), and a pair of British classics (Trainspotting and Shallow Grave). Bursting out of the gate at a terrific pace, Sunshine then doesn’t take its foot off the accelerator for much of its near-two hour running time. Set around the crew of the Icarus II who find themselves on a life-saving mission, things soon start going awry, and while you’ll find no plot spoilers here, Boyle... Less

Previous UK releases of Catchfire have listed the pseudonymous Allan Smithee as director, but this version proudly opens with a Dennis Hopper film. Also known as Backtrack, it offers a plot that advances by illogical leaps and bounds while whole scenes seem to go astray. With prominently billed actors getting almost nothing to do while major players go un-credited, a bland music score that might have been laid in from another film entirely and an ending that makes a lot of noise without actually resolving much, the film certainly has its bad points. However, it's also one of Hopper's more eccentric films, and more fun than Colors or The Hot Spot (which he had no trouble owning up to), partly because the director also takes a quirky lead role and his own personal interests are stirred by... Less

This Charming and irresistible film explores the lasting impact a group of close friends has on one another despite drifting apart over the years. Reunited at the funeral of hometown hero Chris Hayden, friends find tensions escalating rapidly as their darkest secrets are revealed. Jeremy (David A.R. White, Mercy Streets, The Moment After) rediscovers the love of his life and is caught between his childhood sweetheart and his new fiancee. As the embers of their past relationship reignite, Jeremy must seek God's ultimate will for his life. Meanwhile Gary (John Schneider, The Dukes of Hazard, Smallville) the agnostic, questions everyone's faith as this close-nit group of friends learn to stand firm in the face of adversity. Pastor Wexler (Reginald Vel Johnson, Die Hard, Family Matters)... Less

The Sitter may be the last movie featuring the heavy version of Jonah Hill. With the many pounds he's since lost, many movie-industry minds are wondering if the Jonah Hill-ness of his screen persona, flaunted so prodigiously in the likes of Knocked Up, Get Him to the Greek, and Superbad, has disappeared from the scales too. But until Jonah 2.0 gets his chance, The Sitter couldn't capture his trash-talking, man-child, king-of-comeback essence more boldly, more lovingly, or with such blatant vulgarity. Hill plays Noah, a jobless twentysomething layabout still living with his divorced mum along with the delusion that he has a hot girlfriend (she only keeps him around for oral talents that are unrelated to speech). As a favour that might help Mum with her own sad love life, he agrees to a... Less

Nosferatu ... the name alone can chill the blood!. F.W. Murnau's Nosferatu, released in 1922, was the first (albeit unofficial) screen adaptation of Bram Stoker's Dracula. Nearly 80 years on, it remains among the most potent and disturbing horror films ever made. The sight of Max Schreck's hollow-eyed, cadaverous vampire rising creakily from his coffin still has the ability to chill the blood. Nor has the film dated. Murnau's elision of sex and disease lends it a surprisingly contemporary resonance. The director and his screenwriter Henrik Gaalen are true to the source material, but where most subsequent screen Draculas (whether Bela Lugosi, Christopher Lee, Frank Langella or Gary Oldman) were portrayed as cultured and aristocratic, Nosferatu is verminous and evil. (Whenever he appears,... Less

Did we really need another big-screen version of The Three Musketeers? There have been six or seven versions of Alexandre Dumas's classic tale of swashbuckling intrigue and sword-fighting heroism in 17th-century France since the birth of motion pictures, so the question of need really doesn't really enter into it. This whiz-banging update is designed for a new generation of 21st Century entertainment seekers, and it comes complete with the kind of over-the-top CGI effects, novel 3D tricks, and ramped-up action that consumers of a franchise like Pirates of the Caribbean have come to expect. In fact, it's no secret that the American, German, French, and British producers were expecting to launch their own Pirates-like series for a long string of Musketeer movies that might inspire the same... Less

The Gladiator Ridley Scott's glossy historical epic Gladiator revitalised the classic sword 'n' sandal genre, bringing both a modern pop-culture sensibility and state-of-the-art computer- generated special effects to what had seemed like a worn-out formula. Essentially a remake of Anthony Mann's stodgy 1964 Fall of the Roman Empire, Gladiator also borrows heavily from Saving Private Ryan in its stunning opening sequence, and employs Ridley's brother Tony Scott's rapid-fire editing style for the remarkably staged Colosseum fights. The overall effect is a hugely impressive but emotionally empty spectacle complemented by Hans Zimmer's bestselling but derivative score. Russell Crowe cements his star status with a brooding, muscular performance helped along by lots of pithily quotable mock-... Less

Gandhi is a great subject, but is Gandhi a great film? Undoubtedly it is, not least because it is one of the last old-school epics ever made, a glorious visual treat featuring tens of thousands of extras (real people, not digital effects) and sumptuous Panavision cinematography. But a true epic is about more than just widescreen photography, it concerns itself with noble subjects too, and the life story of Mahatma Gandhi is one of the noblest of all. Both the man and the film have profound things to say about the meaning of freedom and racial harmony, as well as how to achieve them. Ben Kingsley, in his first major screen role, bears the heavy responsibility of the central performance and carries it off magnificently; without his magnetic and utterly convincing portrayal the film would... Less

Godfrey Reggio's Koyaanisqatsi (life out of balance) and Powaqqatsi (life in transformation) are the first two parts of a trilogy of experimental documentaries whose titles derive from Hopi compound nouns (2002's Naqoyqatsi, or life in war, is the third). Both feature indispensable musical contributions from minimalist composer Philip Glass. Made in 1983, Koyaanisqatsi was shot mostly in the desert southwest USA and New York City on a tiny budget with no script. But it then attracted the support of Francis Ford Coppola and George Lucas and reached a much wider audience. Its techniques, merging cinematographer Ron Fricke's time-lapse shots (alternately peripatetic and hyperspeed) with Glass' reiterative music (from the meditative to the orgiastic)--as well as its ecology minded... Less

In Waxwork a waxwork museum appears overnight in an American small town and sinister showman David Warner invites a group of typical teens to a midnight party. However, as expected, the place is home to nasty secrets, and the blundering kids find themselves transported via the exhibits into the presence of the 18 most evil men in history. What this means is that the film gets to trot out gory vignettes featuring such horror staples as Count Dracula (played inaptly with designer stubble and a Clint croak by ex-Tarzan Miles O'Keefe), the Marquis de Sade, an anonymous werewolf with floppy bunny ears (John Rhys-Davies in human form) and the Mummy. Nerdy hero Zach Galligan appeals to wheelchair-bound monster fighter Patrick MacNee for help. Waxwork is strictly a film buff's movie--with Warner... Less

Nosferatu ... the name alone can chill the blood!. F.W. Murnau's Nosferatu, released in 1922, was the first (albeit unofficial) screen adaptation of Bram Stoker's Dracula. Nearly 80 years on, it remains among the most potent and disturbing horror films ever made. The sight of Max Schreck's hollow-eyed, cadaverous vampire rising creakily from his coffin still has the ability to chill the blood. Nor has the film dated. Murnau's elision of sex and disease lends it a surprisingly contemporary resonance. The director and his screenwriter Henrik Gaalen are true to the source material, but where most subsequent screen Draculas (whether Bela Lugosi, Christopher Lee, Frank Langella or Gary Oldman) were portrayed as cultured and aristocratic, Nosferatu is verminous and evil. (Whenever he appears,... Less

Don't expect a Jason Statham franchise starter à la the Transporter series from Safe. But by all means do expect a flat-out fun-times thriller, with all the bone-crunching stunts and nimbly executed action sequences we've come to expect from the bald British bulldog, whose steely eyes and no-quarter attitude lays bad guys to waste wherever he wanders. And there are plenty of bad guys to go around. There's the Chinese triad mob that has kidnapped and is exploiting a little girl named Mei (Catherine Chan), a hard-nosed cutie with a photographic memory; she's literally a human safe. There's also the Russian mafia, desperate for the long string of numbers locked in Mei's head, which is later revealed to be the combination of an actual safe. Then there's the corrupt squad of elite New York... Less

Elizabethtown has all of the elements of a great Cameron Crowe movie, but none of the Cameron Crowe vision that made Almost Famous work. It's mostly a series of sweet moments, each capped with the right song at the right time; in fact, the soundtrack is the real star of the movie, and the right song is all there is to piece together a film that is much less than the sum of its parts. From the start of Elizabethtown, big contrasts are evoked: death and life, success and failure are side by side, so we're told. When the movie starts, Drew Baylor (Orlando Bloom) is experiencing failure and death in spades: the shoe he spent eight years designing for Mercury (a thinly-veiled copy of Nike) has been recalled, costing his company $972 million dollars. On the verge of a suicide attempt, he... Less

Everything you know about aliens from pop culture is true. At least that's the message from Paul, a swift, sharp, and very funny movie from the creative minds that also brought us Shaun of the Dead, Hot Fuzz, Superbad, and Adventureland. The British stars of the first two, Simon Pegg and Nick Frost, also wrote the snappy screenplay, and director Greg Mottola shows that he can make human and sentimental both the slapstick and the subtle, self-referential humour the same way he did in Superbad and Adventureland. The premise Pegg and Frost have laid out for themselves as likable, sci-fi fanatic supernerds is a dream vacation starting at Comic Con, then continuing through the American Southwest in an RV visiting historic UFO sites like Area 51, the Black Mailbox, and Roswell, and finishing up... Less

Available fully uncut for the first time in the UK, Two Thousand Maniacs! is the second of director HG Lewis' blood trilogy. Though the once-in-a-lifetime title makes a promise no film could keep--only about 30 maniacs show up--and the level of gore is a notch or so down from Blood Feast--only four deaths--this is perhaps the director's most watchable film. The Brigadoon- derived plot nugget concerns a Deep South town (variously suggested to be in Georgia or Arkansas, but actually Florida) wiped out by Union raiders during the Civil War, which reappears once every 100 years to wreak blood vengeance. For the centennial celebrations, Pleasant Valley lures Yankee tourists off the road and subjects them to gruesome fairground games--a cannibal BBQ, a horse-race, a barrel roll and teetering... Less

The Heath Ledger Collection, 3 Classic films starring the outstanding Heath Ledger including; The Imaginarium of Dr Parnassus: directed by the visionary Terry Gilliam, tells the story of Tony (Heath Ledger, Johnny Depp, Jude Law, Colin Farrell) a man with memory loss who is taken under the wing of Parnassus (Christopher Plummer), an extraordinarily old magician whose longevity has been bought from the Devil in return for his daughter Valentina (Lily Cole). In a desperate final deal with the Devil to save Valentina, Parnassus promises to get Old Nick (Tom Waits) some new souls for his collection. And his magical Imaginarium – where all your wildest dreams can be visualised – is the tempting lure for unsuspecting souls. Tony is particularly talented at bringing in the punters – but at... Less

The Heartbreak Kid Ben Stiller and the Farrelly brothers bring out the best in each other. In The Heartbreak Kid, Stiller plays Eddie Cantrow, who--persuaded by his father and friends that he's commitment- phobic--marries a gorgeous and seemingly ideal woman named Lila (Malin Akerman, The Brothers Solomon) that he's been dating for several weeks. But after the wedding, things start to go awry... the least of these being that on their honeymoon, Eddie meets a woman who might truly be the girl of his dreams (Michelle Monaghan, Kiss Kiss Bang Bang). As in There's Something About Mary, writers/directors Bobby and Peter Farrelly push Stiller away from his increasingly schticky tense guy persona and draw out his sweeter, more multilayered earnest side. On his end, Stiller provides a human core... Less

After the Lord of the Rings trilogy, Elijah Wood could've opted for further big budget epics, but took a sharp left turn with this better-than-averag e B-movie. Released just after Everything is Illuminated, another offbeat entry, Wood plays journalism student Matt Buckner. In the prologue, he's expelled from Harvard when his over-privileged roommate sets him up to take the fall for his own misdeeds. With nowhere to go, Matt decides to visit his sister, Shannon (Claire Forlani), in London. He's already got a chip on his shoulder when he falls under the sway of Shannon's brother-in-law, Pete (Charlie Hunnam), head of West Ham's football firm, the Green Street Elite. Matt soon gets caught up in their thuggish antics—to tragic effect. In her feature debut, German-born Lexi Alexander makes... Less

The Heartbreak Kid Ben Stiller and the Farrelly brothers bring out the best in each other. In The Heartbreak Kid, Stiller plays Eddie Cantrow, who--persuaded by his father and friends that he's commitment- phobic--marries a gorgeous and seemingly ideal woman named Lila (Malin Akerman, The Brothers Solomon) that he's been dating for several weeks. But after the wedding, things start to go awry... the least of these being that on their honeymoon, Eddie meets a woman who might truly be the girl of his dreams (Michelle Monaghan, Kiss Kiss Bang Bang). As in There's Something About Mary, writers/directors Bobby and Peter Farrelly push Stiller away from his increasingly schticky tense guy persona and draw out his sweeter, more multilayered earnest side. On his end, Stiller provides a human core... Less

By the time Seinfeld reached Season 7, it was already firmly established as one of the top shows on TV. But Jerry Seinfeld and series co-creator Larry David still had plenty of stops to pull out to keep the show at the top of its form. This is the season where George--yes, George (Jason Alexander)--gets engaged. Elaine (Julia Louis Dreyfuss) judges her dates to see who is sponge-worthy. Jerry deals with low-flow showerheads, buys Chinese gum, and tries to date Debra Messing. And Kramer (Michael Richards) solidifies his own essential Kramer-ness by putting a hot tub in his living room, going around town in Joseph’s Amazing Technicolor Dreamcoat, buying jeans so tight he can’t take them off, and taking advice on court strategy from his caddy. If there is a unifying theme in this season,... Less

A 6 Disc collection of your favourite Rodgers & Hammerstein musicals, containing the following six classic films: Carousel; The King and I; Oklahoma!; The Sound of Music; South Pacific; State Fair; Carousel - Spectacular staging dots this widescreen deluxe Rodgers and Hammerstein musical as Gordon MacRae brings a blustery energy to the lead role of Billy Bigelow, a drifter and ne'er-do-well carnival 'barker'. The troubled soul finally settles down with a good woman (Shirley Jones) but then gets stabbed to death while committing a robbery. Many years later, an angel offers the roustabout the chance to return to earth for just one day to makes things right for his unhappy wife and the daughter he never had the chance to meet. Based on the French play Lilion by Ferene Molnar, Carousel ranks... Less

Brilliantly conceived, superbly directed, and beautifully acted, Babel is inarguably one of the best films of 2006. Director Alejandro González Iñárritu and his co-writer, Guillermo Arriaga (the two also collaborated on Amores Perros and 21 Grams) weave together the disparate strands of their story into a finely hewn fabric by focusing on what appear to be several equally incongruent characters: an American (Brad Pitt) touring Morocco with his wife (Cate Blanchett) become the focus of an international incident also involving a hardscrabble Moroccan farmer (Mustapha Rachidi) struggling to keep his two young sons in line and his family together. A San Diego nanny (Adriana Barraza), her employers absent, makes the disastrous decision to take their kids with her to a wedding in Mexico. And... Less

Eddie Murphy's 1988 vehicle Coming to America was probably the point at which his status as a mainstream big-screen comedian finally gelled, following the highly successful 48 Hours pairing with Nick Nolte. Never mind the hackneyed storyline: under John Landis's tight direction, he turns in a star performance (and several brilliant cameos) that is disciplined and extremely funny. Murphy plays an African prince who comes to New York officially to sow his wild oats. Privately, he is seeking a bride he can marry for love rather than one chosen by his parents. With his companion (Arsenio Hall, who pushes Murphy all the way in the comedy stakes), he settles in the borough of Queens and takes a job in a hamburger joint. A succession of hilarious satire-barbed adventures ensue, plus the required... Less