The Print Archive Artist: Joan Miro Title: "Trace sur l'eau" Medium: lithograph (after the watercolor) Size: 8 1/2 x 10 3/4 inches Beautifully printed on a delicate Marais onion skin paper in 1963 by Maeght for the Trace sur l'eau portfolio. Not signed or numbered. Condition note -- this lithograph was mounted by the publisher onto a larger support sheet.
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The Print Archive Artist: Joan Miro Title: Original Lithograph X Medium: original lithograph Size: 12 1/2 x 19 1/4 inches (32 x 49 cm) Printed by Mourlot in 1972. There is a center fold in the middle, as published. Not signed or numbered.
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The Print Archive Artist: Joan Miro Title: "Trace sur l'eau" Medium: lithograph (after the watercolor) Size: 8 1/2 x 10 3/4 inches Beautifully printed on a delicate Marais onion skin paper in 1963 by Maeght for the Trace sur l'eau portfolio. Not signed or numbered. Condition note -- this lithograph was mounted by the publisher onto a larger support sheet.
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The Print Archive Artist: Joan Miro Medium: original lithograph Size: 15 x 11 inches (37.8 x 27.7 cm) This lithograph was printed in 1963 by Maeght for the art revue Derriere le Miroir. Published with another image on the back. Not signed or numbered.
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The Print Archive Artist: Joan Miro Title: Original Lithograph IX Medium: original lithograph Size: 12 1/2 x 19 1/4 inches (32 x 49 cm) Printed by Mourlot in 1972. There is a center fold in the middle, as published. Not signed or numbered.
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The Print Archive Artist: Joan Miro Medium: original lithograph Size: 15 x 11 inches (37.8 x 27.7 cm) This lithograph was printed in 1965 by Maeght for the art revue Derriere le Miroir. Published with a different lithograph on the back. Not signed or numbered.
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The Print Archive Artist: Joan Miro Medium: original lithograph Size: 15 x 11 inches (37.8 x 27.7 cm) This lithograph was printed in 1965 by Maeght for the art revue Derriere le Miroir. Published with a different lithograph on the back. Not signed or numbered.
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Spanish painter, sculptor, printmaker and decorative artist. He was never closely aligned with any movement and was too retiring in his manner to be the object of a personality cult, like his compatriot Picasso, but the formal and technical innovations that he sustained over a very long career guaranteed his influence on 20th-century art. A pre-eminent figure in the history of abstraction and an important example to several generations of artists around the world, he remained profoundly attached to the specific circumstances and environment that shaped his art in his early years. An acute balance of sophistication and innocence and a deeply rooted conviction about the relationship between art and nature lie behind all his work and account in good measure for the wide appeal that his art ha.
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