Spanish painter, sculptor, printmaker and decorative artist. He was never closely aligned with any movement and was too retiring in his manner to be the object of a personality cult, like his compatriot Picasso, but the formal and technical innovations that he sustained over a very long career guaranteed his influence on 20th-century art. A pre-eminent figure in the history of abstraction and an important example to several generations of artists around the world, he remained profoundly attached to the specific circumstances and environment that shaped his art in his early years. An acute balance of sophistication and innocence and a deeply rooted conviction about the relationship between art and nature lie behind all his work and account in good measure for the wide appeal that his art ha.
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Spanish painter, sculptor, printmaker and decorative artist. He was never closely aligned with any movement and was too retiring in his manner to be the object of a personality cult, like his compatriot Picasso, but the formal and technical innovations that he sustained over a very long career guaranteed his influence on 20th-century art. A pre-eminent figure in the history of abstraction and an important example to several generations of artists around the world, he remained profoundly attached to the specific circumstances and environment that shaped his art in his early years. An acute balance of sophistication and innocence and a deeply rooted conviction about the relationship between art and nature lie behind all his work and account in good measure for the wide appeal that his art ha.
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Joan Miro, original lithograph, 1976 Original lithograph by Joan Miro for the magazine XX th Century Size of the sheet 31 X 24 cm Joan Miró, born in Barcelona on April 20, 1893 and died in Palma de Mallorca on December 25, 1983, is a Catalan painter, sculptor, engraver and ceramist. Defining himself above all as “international Catalan”, he is one of the main representatives of the surrealist movement. Joan Miro, original lithograph, 1976 Availablity: in stock.
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Professionally frame print of an artwork by the Spanish artist Joan Miro Painted in 1955 Vintage glazed frame 66cm x 69cm
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Spanish painter, sculptor, printmaker and decorative artist. He was never closely aligned with any movement and was too retiring in his manner to be the object of a personality cult, like his compatriot Picasso, but the formal and technical innovations that he sustained over a very long career guaranteed his influence on 20th-century art. A pre-eminent figure in the history of abstraction and an important example to several generations of artists around the world, he remained profoundly attached to the specific circumstances and environment that shaped his art in his early years. An acute balance of sophistication and innocence and a deeply rooted conviction about the relationship between art and nature lie behind all his work and account in good measure for the wide appeal that his art ha.
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Spanish painter, sculptor, printmaker and decorative artist. He was never closely aligned with any movement and was too retiring in his manner to be the object of a personality cult, like his compatriot Picasso, but the formal and technical innovations that he sustained over a very long career guaranteed his influence on 20th-century art. A pre-eminent figure in the history of abstraction and an important example to several generations of artists around the world, he remained profoundly attached to the specific circumstances and environment that shaped his art in his early years. An acute balance of sophistication and innocence and a deeply rooted conviction about the relationship between art and nature lie behind all his work and account in good measure for the wide appeal that his art ha.
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The Print Archive Artist: Joan Miro Medium: original lithograph Image size: 3 1/4 x 7 1/2 inches (80 x 185 mm) Printed in 1964 at the atelier Mourlot in an unnumbered edition of 2000 on Arches paper. There is printed text beneath the image and on back, as published. Not signed or numbered.
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Spanish painter, sculptor, printmaker and decorative artist. He was never closely aligned with any movement and was too retiring in his manner to be the object of a personality cult, like his compatriot Picasso, but the formal and technical innovations that he sustained over a very long career guaranteed his influence on 20th-century art. A pre-eminent figure in the history of abstraction and an important example to several generations of artists around the world, he remained profoundly attached to the specific circumstances and environment that shaped his art in his early years. An acute balance of sophistication and innocence and a deeply rooted conviction about the relationship between art and nature lie behind all his work and account in good measure for the wide appeal that his art ha.
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