Are you on the hunt for a new effects pedal, that can help you sculpt your tone, and give you plenty of extra juice when you need it? Then we have just the thing for you! - High Quality MOSFET Boost Pedal: With the Jackson Audio Amp Mode you get a pedalboard-friendly, MOSFET Transistor-based Boost pedal with a tiny footprint, that can work great on its own, or even stack with other drive pedals to help you really sculpt your guitars tone. Whether you want to use AMP MODE as a preamp for your overall signal, a boost to push your favourite overdrive into further saturation, or even a post-overdrive boost to push your guitar further in the mix, it can do it with ease. What Is A MOSFET Transistor? Over the decades, MOSFET transistors have become a hugely popular choice amongst boost circuits, due to their amp-like characteristics when they clip. To compliment the transistors within t
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In its second generation, the GoldMike Mk2 emerges as a dual-channel microphone and instrument preamplifier that skillfully blends tube and transistor technology, offering a multitude of tonal options and distinctive character. The GoldMike Mk2 combines the efficiency of low-noise discrete transistor amplification with the musicality, colouration, and warmth provided by a dedicated tube stage. This exceptional preamp unit successfully encompasses both ends of the tonal spectrum, delivering remarkable versatility. To meet SPL's uncompromising standards, the GoldMike Mk2's unique transistor stage avoids the use of integrated circuits. Instead, it embraces a Class A design comprising a single transistor and fully discrete circuitry. This approach ensures an astonishing dynamic range and clarity that surpasses expectations for a preamp in its price range. Simultaneously, the tube stage of the GoldMike Mk2 presents three independent amplification levels: +6 dB, +1
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The Earthquaker Devices Zoar Dynamic Audio Grinder Pedal is your gateway to a realm of medium-high gain distortion, delivering a natural, amp-like responsiveness. With its touch-sensitive controls and a versatile range of tones, this pedal provides an organic feel that resonates with guitarists worldwide. Dive into the details that make the Zoar a standout choice for those seeking a finely-tuned distortion experience. - Earthquaker Devices Zoar Dynamic Audio Grinder Pedal Features:: - Versatile Distortion Tones: Explore a wide variety of custom sounds, from the defined sparkle of overdrive to the seismic wall-shaking noises of heavy saturation. The Zoar is optimized for modern hi-fi sound, providing a highly tweakable platform to shape your preferred distortion. | - Transistor-Only Distortion: The Zoar generates its gnarly timbres solely through transistors, eschewing opamps and diodes. This design choice r
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The Fulltone Ranger is a Fulltone Custom Shop pedal and may well be the best Rangemaster treble booster clone ever. - The Rangemaster Returns: The Rangemaster pedal has returned and it's better than ever. Completely hand-made in Los Angeles, USA, the Fulltone Custom Shop Ranger gives you incredible tone boosting power in a tiny pedal! A 6-position rotary switch on the face of the Fulltone Ranger allows you to choose between 6 different sounds: - Full | - Lo-Mids | - Mids | - RM-1 | - RM-2 | - Highest | Of course, the RM-1 and RM-2 settings are amazing recreations of the Rangemaster 1 and Rangemaster 2 pedals. There's also an adjustable transistor bias trimmer, you can adjust to tailor your tones to perfection. Furthermore, thanks to to the Fulltone Ranger's proprietary power supply design, this positive to ground Germanium pedal can be powered by any stan
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Bows, a Germanium Preamp Pedal from EarthQuaker Devices Once again those technical wizards over at EarthQuaker Devices have managed to wow us here at PMT with another one-knobbed-wonder, the Bows: a Germanium Preamp/Boost pedal with a single control knob. Ok, so this one also has a toggle switch too, but it's still arguably the most simplistic preamp pedal I've ever used. - A Little One-Knobber That Wears Many Hats: Designed solely around a rare NOS OC139 black glass transistor, the Bows consists of several tone-shaping abilities spread between two modes: Full and Treble (which are selected with the Tone Toggle switch). If you're looking for a nice warm sound, with plenty of oompf and a thick low-end then you'd need to set this toggle to Full. However, if you're wanting resonant, half-open wah type tone with an eventual rich harmonic distortion, then set this to Treb
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The Danelectro Nichols 1966 Fuzz Pedal is a faithful recreation of the first fuzz pedal ever designed by Danelectro founder and pedal innovator Steve Ridinger. This modern stompbox pays tribute to the legendary Liverpool Fuzz-Tone with a distinct three-transistor circuit that produces a glassy, biting tone that falls perfectly between fuzz and distortion. Whether you're chasing vintage tones or creating your own sonic signature, the Nichols 1966 delivers a unique voice unlike any other fuzz box on the market. - Authentic Vintage-Inspired Tone: The Nichols 1966 is designed to mimic the raw, unrefined character of early fuzz circuits. Its responsive design reacts dynamically to your guitar?s volume knob, allowing you to dial in everything from gritty breakup to full-on fuzz saturation. The pedal?s tone is perfect for cutting through the mix, with a pronounced attack and midrange growl that makes it ideal for garage ro
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Jimi Hendrix is known for his BC108 silicon transistor driven Fuzz Face sound as heard on many of his most iconic songs. In a few of his most noted live appearances over the course of 1969-1970 including Live at Woodstock, Live at Berkeley, and Live at the Filmore East. Jimi used a mysterious red Fuzz Face pedal with white knobs that had an entirely different sound from his normally used BC108 models. This fuzz sound was far more aggressive and biting, an altogether different animal. The pedal itself has been lost to history, but its unmistakably unique tone lives on in the recordings of those three shows. Hendrix aficionados have tried to ape that sound for years. Our engineers tirelessly pored over all of the different customized circuit designs Jimi used over the years too nail down this elusive fuzz tone, narrowing it down to a version of the Octavio circuit without the octave up tone. After a few tweaks, they nailed it....... - The biting, aggressiv
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A legend returns. The Rotosound Fuzz is back, delivering the same unmistakable vintage tone that shaped rock history. This limited edition fuzz pedal faithfully recreates the raw, saturated sound of the original 1967 design, using carefully selected N.O.S. germanium transistors for authentic response and character. Each hand-wired fuzz pedal is built in the UK with meticulous attention to detail, capturing the chewy, dynamic fuzz that made it a go-to for guitarists like Jimmy Page. - Iconic 1967 Fuzz, Reborn for the Modern Player: Originally available in small numbers alongside Tonebender-style fuzz pedals on London?s Denmark Street, the RFB1 fuzz pedal was a rare find. After overwhelming demand, Rotosound has once again sourced vintage components to offer players a chance to own a true piece of fuzz history. This Rotosound effect pedal delivers thick sustain, rich harmonics, and the unmistakable warmth of a germanium transistor fuzz?
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