Cantos woodcut #16 by Salvador Dalí. Original color woodblock engraving published 1960, on BFK Rives paper, published Les Heures Claires, Paris, France. Reference # ML1054.
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Cantos woodcut #19 by Salvador Dalí. Original color woodblock engraving published 1960, on BFK Rives paper, published Les Heures Claires, Paris, France.
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Cantos woodcut #26 by Salvador Dalí. Original color woodblock engraving published 1960, on BFK Rives paper, published Les Heures Claires, Paris, France.
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But as the war approached, the apolitical Dalí clashed with the surrealists and was "expelled" from the surrealist group during a "trial" in 1934. Whether working from pure inspiration or on a commissioned illustration, Dalí's matchless insight and symbolic complexity are apparent.
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There are various cultural depictions of elephants, where they are often viewed as symbols of strength, dominance and power due to their bulk and weight. [5] Dalí contrasts these typical associations by giving the elephants long, spindly, almost arachnid-like legs, once described as "multijointed, almost invisible legs of desire".
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Cantos woodcut #25 by Salvador Dalí. Original color woodblock engraving published 1960, on BFK Rives paper, published Les Heures Claires, Paris, France. Reference # ML1097.
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Cantos woodcut #7 by Salvador Dalí. Original color woodblock engraving published 1960, on BFK Rives paper, published Les Heures Claires, Paris, France.
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