Colour photolithograph, printed in blue, black, red and yellow. Designed specifically in support of the Bradford's Bouncing Back campaign, which lasted from November 1986 to September 1988. Signed in the plate by Hockney.
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Limited edition (200) stone signed, hand numbered in pencil lithograph on cotton privilege paper, with S.P.A.D.E.M Paris embossing and a certificate. Technique: Lithograph offset Dimension’s: 16.5” x 11.7” Number: Out of 200 prints Frame: No frame is included Numbering of the shipped piece can differ.
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This art piece depicts the swimming pool of Hockney's friend and graphic designer, Kenneth Tyler, whom he knew in California. His style has evolved significantly, from early bold paintings to his iconic images of Los Angeles life, including his famous "A Bigger Splash".
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His style has evolved significantly, from early bold paintings to his iconic images of Los Angeles life, including his famous "A Bigger Splash". Hockney is also a master draughtsman who has continually embraced new technologies, notably using iPads to create digital art, and is celebrated for his fresh perspectives on light, perspective, and the act of seeing.
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David Hockney ‘Home’ etching 1969 Exhibition showcard Measures 21 x 15 cm
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72 Drawings by David Hockney. It is the 1971 First Edition published by Jonathan Cape. Book in good condition.
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Print Size 40x50cm. The first palm tree is the darkest, its inky blackness providing an anchor to the composition, while the two behind it seem to fade into the distance, the last almost becoming one with the fog.
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David Hockney Early July tunnel Print Unframed Printed on thick textured cotton paper Size 30x40cm Looks great framed David Hockney's "Early July Tunnel" (2006) is a painting depicting a tree-lined farm track in East Yorkshire, England, that appears as a tunnel due to the dense foliage during the summer. It is part of Hockney's series exploring the same location at different times of the day and year, capturing the changing light and atmosphere of the landscape. The vibrant colors and energetic brushstrokes in the painting emphasize the rich life of nature, reflecting Hockney's deep connection to his childhood surroundings and his love for the countryside.
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