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  1. Fundamentals of Musical Composition by Schoenberg, Arnold

    Fundamentals of Musical Composition by Schoenberg, Arnold Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less

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  2. Fundamentals of Musical Composition (USED)

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  3. (Loose Leaf) Fundamentals of Music: Rudiments, Musicianship, and Composition 6th

    If you'd like clarification on the.

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  4. Fundamentals of Music: Rudiments, Musicianship, and Composition (5th Edition)

    Product Description : Substatially revised Fundamentals of Music Fifth Edition presents a complete introduction to music fundamentals and basic musicianship The author employs a fresh studentcentered style to introduce and explain traditional topics such as notation meter scales triads and chords The text informs guides and encourages students with basic theoretical information that is balanced with helpful suggestions for study copious exercise material introductory aural skills training and selftests with answersFor instructors who include basic musicianship skills in the fundamentals course the recorded eartraining drills and keyboard studies together with a variety of sightsinging excerpts will provide ample material

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  5. Fundamentals of Music: Rudiments, Musicianship, and Composition by Henry, Earl

    Fundamentals of Music: Rudiments, Musicianship, and Composition by Henry, Earl Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less

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  6. William Strunk Jr. & E.B. White The Elements Of Style (1979, 3rd Ed Paperback)

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  7. The Elements of Style

    The book covers topics such as style manuals, language arts, composition, creative writing, and rhetoric. It is a nonfiction book that provides guidance on writing skills and is suitable for those who want to improve their writing style.

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  8. Fundamentals of Musical Composition by Arnold Schoenberg (Paperback Book)

    Fundamentals of Musical Composition represents the culmination of more than forty years in Schoenberg's life devoted to the teaching of musical principles to students and composers in Europe and America. For his classes he developed a manner of presentation in which 'every technical matter is discussed in a very fundamental way, so that at the same time it is both simple and thorough'. This book can be used for analysis as well as for composition. On the one hand, it has the practical objective of introducing students to the process of composing in a systematic way, from the smallest to the largest forms; on the other hand, the author analyses in thorough detail and with numerous illustrations those particular sections in the works of the masters which relate to the compositional problem.

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