Coloured lithograph after the original cut-paper maquettes by Henri Matisse (1869-1954) from Verve Vol. IX No. 35/36, ‘The Last Works of Henri Matisse’. Printed by the Mourlot Studio, Paris, under the supervision of Matisse and published by Tériade shortly after his death in 1958 in a limited edition.
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Henri Matisse The Open Window Lithograph on Premium Cotton Paper. This is a limited signed edition of 250. Please note that the edition number may vary according to availability. Size: A4 - 21 x 29.7 cm (approximately 8.3 x 11.7 inches)
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Matisse would use scissors to cut from sheets of paper painted in different colours by his assistants, forming shapes which he would then combine to create striking compositions. These are the only lithographs after these cut-outs produced under the direction of Matisse.
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Matisse would use scissors to cut from sheets of paper painted in different colours by his assistants, forming shapes which he would then combine to create striking compositions. These are the only lithographs after these cut-outs produced under the direction of Matisse.
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Matisse would use scissors to cut from sheets of paper painted in different colours by his assistants, forming shapes which he would then combine to create striking compositions. These are the only lithographs after these cut-outs produced under the direction of Matisse.
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The graphic work measures 45 x 60 cm with full sheet. First and only edition created by the famous Cahiers d'Art publishing house in 1960 on precious hand -done Japon Washi card. The edition is 499 ES as established by the contract between the publisher Christian Zervos and Maestro Matisse. Contract that will be delivered together with the art folder. Dry stamp on the "Editions Cahiers d'Artis" work. Signature Henri Matisse on the slab. "The drawings of the 1930s are considered by the master his greatest masterpieces. These designs represent women lying on wallpapers decorated with woven wovers of Arabesques and are miracles of pure lines that best enclose the sphere of female sensuality. In the reflections and mirrors Matisse seems to want to give the soul of his models in the most fine.
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Matisse would use scissors to cut from sheets of paper painted in different colours by his assistants, forming shapes which he would then combine to create striking compositions. These are the only lithographs after these cut-outs produced under the direction of Matisse.
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Limited edition (75) stone signed lithograph with S.P.A.D.E.M. Paris embossing and certificate SPADEM Paris. Numbered in pencil on front. Certificate: S.P.A.D.E.M. Paris. Embossing: S.P.A.D.E.M. Paris.
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