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  1. Olympus M.Zuiko Digital ED 12mm f/2 Lens Black

    A compact wide-angle prime with intuitive handling and an advanced optical design, the Olympus M.Zuiko Digital ED 12mm f/2 Lens Black is a 24mm equivalent lens for Micro Four Thirds mirrorless cameras.The wide focal length pairs with the bright f/2 maximum aperture to benefit available light shooting as well as astrophotography applications. The lens's optical design makes use of one aspherical element, one DSA (Double Super Aspherical) element, and a Super HR (high refractive index) element to reduce spherical aberrations and control distortion for notable sharpness, and one extra-low dispersion element reduces color fringing for high clarity and colour accuracy. Additionally, the lens is characterized by its Movie & Still Compatible autofocus system for quick and quiet performance, as well as a manual focus clutch and Snapshot Focus mode for intuitive control over focus position and depth of field.
{Key Features}
- Micro Four Thirds System
- 24mm (35mm Equivalent)
- Aperture Range: f/2 to f/22
- Two Aspherical Elements



{Box Contents}
- Olympus M.Zuiko Digital ED 12mm f/2 Lens (Black)
- Olympus LC-46 Lens Cap for Select M.Zuiko Lenses
- Olympus LR-2 Rear Lens Cap

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  2. OM SYSTEM M.Zuiko Digital ED 20mm f/1.4 PRO Lens

    The versatile OM SYSTEM M.Zuiko Digital ED 20mm f/1.4 PRO Lens is a 40mm equivalent wide-angle prime lens for Micro Four Thirds mirrorless cameras. The wide field of view is complemented by a fast f/1.4 maximum aperture for controlling depth of field and producing selective focus effects, and when working in difficult lighting conditions. This pocket-sized lens is easy to carry and balances high resolution with the ability to capture soft, feathered bokeh. This lens makes long days of shooting landscapes, nature, or travel photos seem effortless. Reliable IPX1-rated weather sealing makes it possible to shoot in any environmental conditions without worry. Two aspherical elements are used in the optical design to help reduce spherical aberrations in order to achieve a high degree of sharpness, and also help reduce the overall size and weight of the lens. The Movie & Still Compatible (MSC) autofocus system provides precise, fast, and quiet focus performance to suit both video and photo applications.
{Key Features}
- Micro Four Thirds System
- 40mm (35mm Equivalent)
- Aperture Range: f/1.4 to f/16
- 11 Elements in 10 Groups
- 1 Super ED, 3 ED, 2 Super HR Elements
- 2 Aspherical Elements
- ZERO Zuiko Extra-Low Reflection Coating
- Movie & Still Compatible AF System
- Weather-Sealed Construction
- Rounded 9-Blade Diaphragm




{Box Contents}
- OM SYSTEM M.Zuiko Digital ED 20mm f/1.4 PRO Lens

- LC-58F Front Lens Cap
- LR-2 Rear Lens Cap
- LH-61G Lens Hood
- CS-53 Lens Wrap Cloth

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  3. Canon EOS C80 Cinema Video Camera

    Offering exceptional 6K30 full-frame capture in a compact form, the Canon EOS C80 Cinema Video Camera 6K Full-Frame melds the EOS C400's CMOS sensor with a lightweight design similar to the EOS C70. Ideal for fast-paced capture and solo operators, this digital camera features triple ISO bases of 800, 3200, and 12,800 in log/raw, upgraded Dual Pixel CMOS AF II autofocus, and simultaneous 12G-SDI and HDMI video output.

The EOS C80's RF mount provides compatibility with fast, reliable Canon RF lenses, and a motorized ND filter wheel enables on-the-fly exposure tweaking.

The 6K full-frame CMOS sensor at the heart of the C80 camera enables it to offer exceptionally low noise, increased sensitivity efficiency, and better 4K imagery via 6K oversampling. All this is possible thanks to the improved light capture technology of the back-illuminated, stacked CMOS sensor.

Slow and fast motion can be captured at rates up to UHD 4K120 in HEVC and AVC codecs.

Make your editing process easier using XF-AVC S and XF-HEVC S codecs, featuring an easier naming system and folder structure, as well as metadata preservation, all within the established MP4 format. A built-in RF lens mount lends the EOS C80 compatibility with Canon's line of fast, reliable RF-mount lenses with advanced coatings and image stabilization. Video outputs include full-size HDMI and 12G-SDI BNC outputs that can be used simultaneously for feeding an onboard monitor, video transmitter, or EVF. Improved Dual-Pixel CMOS AF Technology uses each pixel on approximately 100% of the CMOS sensor for focus detection and image information. Two mini-XLR inputs with phantom power and manual control dials provide professional audio recording options. For greater post-production flexibility, the C80 offers Canon's Log 2 and Log 3 gamma modes, which provide an expanded dynamic range with excellent tonal reproduction for highlights and in low-light areas of your images. The EOS C80 also supports 3D LUTs, so you can get the most accurate color reproduction on both the LCD and your external viewing monitors.





{Key Features}
- 6K FF Back-Illuminated CMOS Sensor
- 6K30, DCI 4K/2K, UHD 4K120 S35 Recording
- Full Frame and Super35 Modes
- 12G-SDI and HDMI Simultaneous Output
- Triple-Base ISO: 800, 3200, 12,800
- Cinema Raw Light LT, HEVC, AVC Codecs
- 16+ Stops of Total Dynamic Range
- Dual-Pixel CMOS AF II, Built-In NDs
- 1 x BNC Timecode, 2 x Mini-XLR Audio In
- 2 x SD Card Slots, LUT/Long GOP Support
 



{Box Contents}
Canon EOS C80 6K Full-Frame Cinema Camera (Canon RF)
Canon BP-A30N Battery Pack
Handle Unit
Canon CA-CP300B Compact Power Adapter
Canon Single Battery Charger for EOS C300 Mark II, C200, and C200B Batteries
Microphone Holder
SS-1200 Shoulder Strap
Tape Measure Hook
Grip Belt

{Product Video}

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  4. Olympus M.Zuiko Digital ED 75-300mm f/4.8-6.7 II Lens

    A versatile and relatively compact telephoto zoom, the Olympus M.Zuiko Digital ED 75-300mm f/4.8-6.7 II Lens is a 150-600mm equivalent lens for Micro Four Thirds mirrorless cameras. The optical design makes use of three low dispersion elements and three high refractive index elements to control both chromatic and spherical aberrations for a high degree of clarity and sharpness throughout the zoom range. A ZERO coating has also been applied to help reduce lens flare and ghosting for greater contrast and color fidelity when working in strong lighting conditions. Additionally, this lens utilizes a Movie & Stills Compatible AF system to achieve smooth, fast, and near-silent focusing performance to benefit both photo and movie applications.

{Key Features}
- Micro Four Thirds System
- 150-600mm (35mm Equivalent)
- Aperture Range: f/4.8 to f22
- One Super ED Element, Two ED Elements


{Box Contents}
- Olympus M.Zuiko Digital ED 75-300mm f/4.8-6.7 II Lens
- LC-58E Front Lens Cap
- Olympus LR-2 Rear Lens Cap

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  5. Insta360 Pro II Spherical VR 360 8K Camera with FarSight Monitoring

    The Insta360 Pro II Spherical VR 360 8K Camera with FarSight Monitoring bundle from Insta360 captures 360 spherical VR videos and stills in configurations up to 8K 3D. This successor to the Insta360 Pro can record immersive 8K video while streaming in 4K. Insta360 Pro II features include precise 9-axis FlowState stabilization, CrystalView monitoring on standard devices, automatic proxy file creation, and stitch-free editing in Adobe Premiere Pro.

The FarSight 360° long-range monitoring system includes a transmitter and receiver for live monitoring your capture from up to one mile away ground-to-ground, or two miles ground-to-air. Wi-Fi preview is available at 30 fps up to 15' without using FarSight. The CrystalView function converts 8K VR footage for viewing on popular 4K VR headsets and standard smartphones or monitors, expanding your potential audience.

Save time and processing with the Insta360 Pro II's ability to create proxy files for instant stitching and real-time editing in Adobe Premiere Pro. When you have your final cut, the Insta360 algorithm stitches together a full-resolution version. Each camera records to a microSD card while proxy files and stabilization data are captured to a full SD card. The camera features bit rates up to 120 Mb/s, and records audio via four built-in mics and a 3.5mm mic input.

The Insta360 Pro II's optical features include six selectable 200° fisheye lenses, adjustable shutter speed, and an ISO range of 100-6400. An HDR (high dynamic range) function provides natural-looking lighting even in unevenly lit settings. High-speed frame rates are available up to 120 fps and the still mode includes raw, JPEG, burst, and time-lapse options.

Image stabilization is a vital VR component and the Insta360 Pro II combines a 9-axis gyro with the downloadable Insta360 software for precise, customizable stabilization. A built-in GPS module provides data for Google Maps Street View, and other precision-mapping applications. The Insta360 Pro II features a compact aluminum frame, two USB ports, and a hot swap battery dock.



{Key Features}
- Capture up to 8K 3D 360 Videos & Stills
- Record 8K While Live Streaming 4K Video
- No-Stitch Editing in Adobe Premiere Pro
- 9-axis FlowState stabilization
- FarSight Remote Viewing & Control



{Box Contents}
- Insta360 Pro II Spherical VR 360 8K Camera with FarSight Monitoring
- FarSight 360° Transmitter
- FarSight 360° Receiver
- 5000mAh Battery
- 12 VDC 5A Power Adapter
- USB Type-C Data Cable
- Ethernet Cable (3.2')
- USB Ethernet Network Adapter
- Cleaning Cloth
- Protective Lens Cover
- Tripod Mount Base Stand
{Product video}


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  6. OM SYSTEM M.Zuiko Digital ED 25mm f/1.2 PRO Lens

    A high-speed normal-length prime featuring an advanced optical design, the Olympus M.Zuiko Digital ED 25mm f/1.2 PRO Lens is a 50mm equivalent lens designed for Micro Four Thirds mirrorless cameras. Its unique 19 elements, 14 groups construction incorporates extra-low dispersion, aspherical, and high refractive index elements to significantly reduce both chromatic and spherical aberrations for notable image clarity, sharpness, and color accuracy. The lens is also characterized by a bright f/1.2 maximum aperture, which benefits working in low-light conditions and affords extensive control over depth of field. A nine-blade aperture is featured as well, to achieve a smooth bokeh quality when working with shallow depth of field techniques, and a Z Coating Nano has been applied to individual elements to limit flare and ghosting for improved contrast. Beyond the imaging assets, the lens' physical design is characterized by a weather-sealed construction to benefit working in harsh climates. It also features a Movie & Still Compatible (MSC) autofocus system for smooth, quiet, and fast focusing performance that is suitable to both stills and video recording. A manual focus clutch permits quick switching to MF control and a printed depth of field scale is also featured on the lens barrel for pre-focusing and hyper focal focusing techniques.
{Key Features}
- Micro Four Thirds System
- 50mm (35mm Equivalent)
- Aperture Range: f/1.2 to f/16
- Three Extra-Low Dispersion Elements



{Box Contents}
- Olympus M.Zuiko Digital ED 25mm f/1.2 PRO Lens
- Olympus LH-66B Lens Hood
- Olympus LR-2 Rear Lens Cap
- Olympus LSC-0811 Case
- Olympus LC-62F Lens Cap

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  7. Nikon SB-5000 AF Speedlight Flash

    Nikon has reimagined both on- and off-camera lighting with the Nikon SB-5000 AF Speedlight Flash, which brings revolutionary radio control to the Creative Lighting System with Advanced Wireless Lighting and comes equipped with a world's first shoe-mounted flash cooling system that enables up to 100 consecutive full-power flashes.These features alone are enough to put it at the top of the speedlight heap, but the SB-5000 doesn't rest and provides a powerful guide number of 113' at ISO 100 and 35mm while also shrinking in overall size compared to its predecessors. Of course, the SB-5000 AF Speedlight is fully compatible with Nikon's i-TTL automatic exposure system found in a majority of their cameras for fast, accurate operation. Along with this, the radio control implemented in the SB-5000 requires a compatible DSLR using the WR-A10 Wireless Remote Adapter and WR-R10 Wireless Remote Controller in order to fully realize the power of the system. This enables the camera and flash to wirelessly control up to 6 groups of flashes from up to 98' away, without requiring any line of sight. Also, the SB-5000 and the radio system are fully compatible with the existing optical triggering method of older units and can even be mixed and matched for maximum versatility.


{Key Features}

- Radio Control Advanced Wireless Lighting
- Cooling System for 100 Consecutive Shots
- Compatible with Nikon i-TTL
- Guide Number: 113' at ISO 100 and 35mm
- Zoom Range: 24-200mm (14mm with Panel)
- Tilts from -7° to 90°
- Rotates Left & Right 180°
- Info Button for Quick Access to Settings
- Recycle Time: 1.8-2.6 Seconds
- Slow, High-Speed, 1st & 2nd Curtain Sync




{Box Contents}
- Nikon SB-5000 AF Speedlight 
- SW-15H Diffusion Dome for SB-5000 Speedlight 
- AS-22 Speedlight Stand 
- SZ-4FL Fluorescent Filter 
- SZ-4TN Incandescent Filter for SB-5000 AF Speedlight 
- SS-5000 Soft Case for SB-5000 AF Speedlight 


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  8. Canon Control Ring Mount Adapter EF-EOS R

    Extending the range of compatible lenses, the Canon Control Ring Mount Adapter EF-EOS R is a unique lens adapter designed for attaching any EF or EF-S-mount lens to the EOS R mirrorless digital camera. This sophisticated adapter incorporates a customizable Control Ring, the same as that on native RF-mount lenses, for intuitively adjusting exposure settings, such as ISO, aperture, and exposure compensation. This ring provides tactile feedback when being turned, making it easy to recognize and control your settings adjustments. It also retains full autofocus and image stabilization capabilities and contains no optical components, thereby maintaining the original optical quality of the mounted lens. Additionally, it is dust- and water-resistant, making it suitable for use in harsh weather conditions.

{Key Features}

- Canon EF/EF-S Lens to EOS R Camera
- Maintains AF and Image Stabilization
- Configurable Control Ring
- Dust- and Water-Resistant
 

{Box Contents}
- Canon Control Ring Mount Adapter EF-EOS R

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