Cream matte. 20x30cm externally. Though explicit in not painting war itself, Picasso’s situation showed in his work. Thus under continuous surveillance by the Gestapo. While many artists abandoned Paris in 1941 upon arrival of the Germans, Picasso stayed.
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[20th century ARTS - PICASSO - LITHOGRAPH BY MOURLOT - CORRIDA TOROS] Second edition (the first dates from 1961) of the album dedicated to drawings, washes and sketches by Picasso on the theme of bullfighting, a work born from the close collaboration With a presentation by Luis Miguel Dominguin in French and Spanish - French & Spanish text - followed by an introduction by Georges Boudaille and the rest of Picasso's illustrations in B & W and colors lithographed by Mourlot. Bullfighting glossary at the end of the volume. Copy of the current edition after 125 numbered and 25 Hors Commerce copies. Publisher's cardboard binding, full white ecru cloth illustrated in colors, on covers and spine, (Very good general condition, clean and fresh, very well preserved case, tiny various usual.
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"Pablo Picasso ". ARTIST :Pablo Picasso (1881-1973). This item will certainly makea superb acquisition for a collector, ora unique gift for any admirer of Pablo Picasso's incredible work. Authenticity detailing the origins of the work.
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It took place at the Fondation MAEGHT, Saint-Paul-de-Vence, France, from 23rd March until the 25th May 1970. The exhibition presented artworks from Picasso, Braque, Juan Gris, Fernand Leger, Chagall, Joan Miro, among others.
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NATURE MORTE A LA PALETTE ET A LA TETE. SIGNED BY MARINA PICASSO & NUMBERED, BOTH IN PENCIL. PRINTED BY LAURENT MARCEL SALINAS. PRINTED INFORMATION VERSO CONFIRMING ESTATE APPROVAL. AFTER PABLO PICASSO.
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Nach dem Original von Pablo Picasso. Based on the original by Pablo Picasso. Lithograph "Bull - Condition 3". Each piece is individually numbered # 67/200. Gesamtgröße : 50 cm x 70 cm. Overall size : 50 cm x 70 cm.
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White matte. The original oil painting was executed by Picasso at the start of the Occupation of Paris by the Germans in 1941. Notably Picasso’s palette then reflected the dark, oppressive period. Though explicit in not painting war itself, Picasso’s concern showed in his work.
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