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  1. Microsound by Curtis Roads (Paperback, 2004)

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  3. Microsound, Curtis Roads, Paperback with CD

    Gathering dust… this must for any contemporary music academic would be great for anyone interested. I hope it find a good home! Comes with a CD never used… Here’s the AI blurb: The product is a paperback book titled "Microsound" by author Curtis Roads, published by MIT Press LTD in 2004. The book falls under the subject area of multimedia and music, and is part of The MIT Press series. It comes with a CD included, providing readers with a hands-on experience of the concepts discussed in the book. The book, written in English, has a total of 424 pages and measures 229mm in height and 203mm in width. It is a valuable resource for those interested in exploring the world of music through a multimedia lens.

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  4. Black Snow : Curtis LeMay, the Firebombing of Tokyo, and the Road to the Atomic Bomb

  5. Microsound, Curtis Roads, Paperback with CD

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  6. Black Snow : Curtis LeMay, the Firebombing of Tokyo, and the Road to the Atomic Bomb

  7. Microsound by Curtis Roads PAPERBACK 2004

    Dive into the realm of music technology with "Microsound" by Curtis Roads, a comprehensive exploration of the cutting-edge domain of multimedia sound design. Published by MIT Press LTD in 2004, this paperback edition is an invaluable resource for both music enthusiasts and technology aficionados, offering a detailed examination of sound synthesis and manipulation. With 409 pages of rich content, this textbook is not only informative but also engaging, featuring illustrative material that enhances understanding. The book measures 229 mm in height and 203 mm in width, making it a substantial yet convenient reference for those immersed in adult and further education, particularly at an advanced level.

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  9. Microsound, Curtis Roads, Paperback

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  10. Adidas Men's Black Microbounce 'Black' Size 9.5

  11. Microsound by Curtis Roads (Paperback Book)

    Below the level of the musical note lies the realm of microsound, of sound particles lasting less than one-tenth of a second. Recent technological advances allow us to probe and manipulate these pinpoints of sound, dissolving the traditional building blocks of music—notes and their intervals—into a more fluid and supple medium. The sensations of point, pulse (series of points), line (tone), and surface (texture) emerge as particle density increases. Sounds coalesce, evaporate, and mutate into other sounds. Composers have used theories of microsound in computer music since the 1950s. Distinguished practitioners include Karlheinz Stockhausen and Iannis Xenakis. Today, with the increased interest in computer and electronic music, many young composers and software synthesis developers are.

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  12. Microsound (The MIT Press) by Curtis Roads | Paperback | 2004

    Title: Microsound (The MIT Press). Publisher : MIT Press Pap/Cdr edition (17 Sept 2004). Paperback : 392 pages. Order Processing & Cancellation. As such, we are unable to cancel orders once they have been placed.

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  13. MICROSOUND By Curtis (University of California at Santa Barbara) Roads

    Below the level of the musical note lies the realm of microsound, of sound particles lasting less than one-tenth of a second. Recent technological advances allow us to probe and manipulate these pinpoints of sound, dissolving the traditional building blocks of music-notes and their intervals-into a more fluid and supple medium. The sensations of point, pulse (series of points), line (tone), and surface (texture) emerge as particle density increases. Sounds coalesce, evaporate, and mutate into other sounds.

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