This new nitrocellulose is without plasticizers. It is a precise replica of nitrocellulose used by FENDER and Gibson in the 1960s. The plasticizer -free wording increases the resistance; If you use it as a clear coat, you can easily get a more natural vintage look because it is less elastic. The main advantage compared to the various nitrocellulos paints is faster evaporation and faster melting between painting, which enables a stronger gloss effect, a thinner layer and possibly a stronger vibration of the wood. Since it is a nitrol paint with less elasticity and faster aging, some fine cracks will occur over time, but are much less pronounced than that of the relative gloss clear coat. All of our items have a 30-day return policy without explanation. Notes, reading and software are exclud.
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The surfaces should be clean, dry, dust -free and smooth. Mask all areas that should not be sprayed and tide up the area around the spray object. Make sure that the can has room temperature and shake it for 2 minutes before use. Keep the can upright, press down the spray head firmly and spray in straight lines over the workpiece. Start and end at the edges of the workpiece and let go of the spray head at the end of each line. Overlap the strokes by 50 %. The spray can should be stored at room temperature, far from direct sunlight and heat sources and ignition sources. Spray the color only outdoors or in a well -ventilated area. Wear suitable protective clothing when spraying. A mask to protect against inhaling the vapors, gloves, overall to protect your hands and skin as we.
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The coral pink finish is a bit controversial. It became famous in the early '60s when Hank Marvin of The Shadows described the color of his Stratocaster guitar as "flamingo pink." However, this color cannot be found in any FENDER documents. It is also possible for aged/faded Fiesta Red guitars to take on a shade almost identical to this Coral Pink. Either way, this color is highly sought after and rarely used by FENDER , but we offer it to you so you can enjoy its vibrant pink with beautiful orange tones. After intensive work and in-depth investigations by our laboratory and our technical department, we have developed colors for guitars that reproduce the tones of vintage guitars from FENDER and Gibson faithfully to paint electric guitars. They are based on original patterns from the 50s a.
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After intensive work and incoming examinations of our laboratory and our technical department, we have developed colors for guitars that reproduce the tones of vintage guitars from FENDER and Gibson to paint electrical guitars. They are based on original patterns from the 50s and 60s. However, keep in mind that the colors of vintage guitars may have changed significantly over the years due to the aging of nitrocellulose lacquer and changes in the brand's own colors. Therefore, two guitars that were completed in 1960 with Fender card colors can look different today or compared to a more recent guitar. Shake vigorously for 2 to 5 minutes before applying. It is recommended to apply the spray in thin layers and to apply the lowest possible humidity. Apply with an even movement and a distance o.
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The surfaces should be clean, dry, dust -free and smooth. Mask all areas that should not be sprayed and tide up the area around the spray object. Make sure that the can has room temperature and shake it for 2 minutes before use. Keep the can upright, press down the spray head firmly and spray in straight lines over the workpiece. Start and end at the edges of the workpiece and let go of the spray head at the end of each line. Overlap the strokes by 50 %. The spray can should be stored at room temperature, far from direct sunlight and heat sources and ignition sources. Spray the color only outdoors or in a well -ventilated area. Wear suitable protective clothing when spraying. A mask to protect against inhaling the vapors, gloves, overall to protect your hands and skin as well as safety g.
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The surfaces should be clean, dry, dust -free and smooth. Mask all areas that should not be sprayed and tide up the area around the spray object. Make sure that the can has room temperature and shake it for 2 minutes before use. Keep the can upright, press down the spray head firmly and spray in straight lines over the workpiece. Start and end at the edges of the workpiece and let go of the spray head at the end of each line. Overlap the strokes by 50 %. The spray can should be stored at room temperature, far from direct sunlight and heat sources and ignition sources. Spray the color only outdoors or in a well -ventilated area. Wear suitable protective clothing when spraying. A mask to protect against inhaling the vapors, gloves, overall to protect your hands and skin as well as safety.
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The surfaces should be clean, dry, dust -free and smooth. Mask all areas that should not be sprayed and tide up the area around the spray object. Make sure that the can has room temperature and shake it for 2 minutes before use. Keep the can upright, press down the spray head firmly and spray in straight lines over the workpiece. Start and end at the edges of the workpiece and let go of the spray head at the end of each line. Overlap the strokes by 50 %. The spray can should be stored at room temperature, far from direct sunlight and heat sources and ignition sources. Spray the color only outdoors or in a well -ventilated area. Wear suitable protective clothing when spraying. A mask to protect against inhaling the vapors, gloves, overall to protect your hands and skin as well as safe.
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The color Ocean Turquoise Metallic was used by Ford for the MUSTANG model in 1962. She also appeared on the Mercury #M1731 car. It was used by FENDER in the 1960s as a custom color on Telecasters, Stratocasters and offset models such as the Jaguar and JAZZMASTER . It can be described as a metallic bluish color with greenish reflexes. Over time, the green is reinforced by yellowing nitrocellulose. It is often combined with tortoise -colored tone customers and rosewood boards. A beautiful color that doesn't leave anyone indifferent. After intensive work and incoming examinations by our laboratory and our technical department, we have developed colors for guitars that reproduce the tones of vintage guitars from FENDER and Gibson to paint electric guitors. They are based on original patterns f.
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