Side 2 5 Sa. Side 1 4 Three Little Birds 03:03. Side 2 4 Redemption Song 03:47. Side 1 3 Could You Be Loved 03:56.
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This product is a sealed 12-inch mint vinyl record of The Beach Boys' album "The Smile Sessions [2-LP]" released in 2011 on the Capitol/EMI label. The record features psychedelic pop, ethereal, and psychedelic/garage styles. The vinyl is in mint condition, both the record and sleeve grading are rated as mint, making it a desirable collector's item for fans of The Beach Boys and vintage pop/rock music.
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Tommy, The Who's defining, breakthrough concept album - a full-blown rock opera about a deaf, dumb and blind boy that launched the band to international superstardom reissued in multi format editions. Originally released in May 1969, The Who were at a career crossroads, they were known mainly as a singles band but this project launched them as a serious albums band and has now sold over 20 million copies as well as regularly turning up in lists of the most influential albums of all time. Coming after The Who Sell Out in 1967 it marked a complete change in style with Pete Townshend's lengthy conceptual narrative brought exciting new opportunities to rock music.
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Produced by Graham Sutton (These New Puritans, Bark Psychosis), Birthmarks is New York band Bambara's fifth, and best, studio album. A wild, musically adventurous suite of songs that follows a host of lost characters caught in a multi-generational cycle of love, violence, and rebirth.
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Release Date: 20 Nov - 2023. Edition: 2018 Remastered, 180 gram. Title: Hounds Of Love. Artist: Kate Bush. Format: Purple Vinyl LP. Release Notes: First official vinyl repress 30 years after the original release.
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Side 1 4 Everybody's Changing 03:35. Side 1 3 We Might As Well Be Strangers 03:12.
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Artist: Vangelis. Producer: Vangelis. Title: 1492: Conquest of Paradise. Edition: 12" Album Coloured Vinyl. Format: Vinyl. No Of Discs: 2. Country/Region of Manufacture: United Kingdom. Record Label: Rhino.
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Produced by Gene Walker and mixed by Andy Wallace and Dan Malsch, Ghost’s sixth psalm, Skeletá, is its most unflinchingly introspective work to date. Where previous albums dealt largely with chronicling and/or observing outward facing subject matter – such as Impera’s meditations on the rise and fall of empires and its predecessor Prequelle’s evocations of the ravages of era-defining plagues – Skeletá’s lyrics render the distinct individual emotional vistas of each of its 10 songs in one-on-one fashion, at times as if in a dialogue with oneself in a mirror. The end result is a singular collection of timeless, universal sentiments, all filtered through a prism of a uniquely personal point of view.
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